TOTW: Simon & Garfunkel_The Boxer

This is my favourite track by Simon & Garfunkel and that’s no mean feat considering they are some of the finest songwriters in history. Although the track is stunning lyrically, what really sets this above their other works is the mix. The track slowly blossoms into something darker as we go deeper into the profile of the subject. Instrumentation is built upon from a traditional acoustic guitar setup to feature rich tapestry from many different instruments from across the spectrum.

All of these instruments feel like they are suited to fit the story. The heavy tom that sounds like a hard punch on the chorus, the sorrowful and contemplative sound of the pedal steel guitar and then the string swells and deep brass towards the end all contribute to the piece.

The Boxer is quite simply a masterpiece. Something that was made by artists at the top of their game and with the love, care and attention of people who truly believe in what they are doing. I will never tire of it and it will never leave me:

 

Weekly Beats 31 (Krubera)

Week 31 (Krubera)

I recently picked up M01d, A Software Replica of the Famous Korg M01 for 3DS. Although still getting used to it, I thought the perfect way to give it a baptism of fire would be to use it solely to make the track of the week.

Krubera is a dark and roomy sounding track that was made using purely the sounds available on the M01d including effects. The reverb available on the M01d was also a deciding force for the track and was a major contribution towards its composition.

Give it a listen on Weekly Beats Below:

Weekly Beats 30 (Smile)

Week 30 (Smile)

The original idea for this track was to create something along the lines of Acid house. It didn’t take long before it had gone in another direction but the use of the 303, 909 and Piano samples are still there although re-appropriated for the track.

This is also the first track where I’ve had a direct collaboration with another musician. Adam Wheeldon provided Live guitar and Bass for the Piece.

Weekly Beats 29 (Daybreak)

Week 29 (Daybreak)

This week’s track was a little different. I wanted to create a track representing a sunrise. I knew I wanted a wall of sound approach to imitate the suns awesome power and after a few Ideas I decided that the use of radio static (the audio remnants of the big bang) was a perfect imitation.

This track is made up of many layers of different recordings of static with pitch shifting and automated EQ to add rhythms and melody’s to the track. I then accentuated elements that I liked with a heavily distorted electric guitar and a bass line from Monark, which I recorded through an FM radio using a transmitter:

Weekly Beats 28 (Unrest)

Week 28 (Unrest)

During making last weeks track I found allot of versatility in the vocal sample I had recorded into the OP1. When pitching it down to a lower octave and more of a bass range it sounded completely different then its original sample and I started to toy with it. After creating several different melodies with the vocals I tried to find accompanying instrumentation that would suit the piece and continued to do this for the rest of the week.

On the weekend I went into the mixing stage. I had created over 20 different melodies with different instrumentation that all lasted around the 6 minute mark. As the sound of the track was driven by the repeating vocal melody and I had a lot of different textures already, I decided to leave drums out and make it a more Ambient affair. I played all the individual stem recordings and mixed them live into a master stereo recording of the track to create a more drifting reactionary sound. After several different attempts at a mix down I was happy with the result and this is the one you can hear below:

TOTW: Bon Iver_Heavenly Father

Bon Iver Has released a new track, part of the soundtrack for Zach Braffs new film “I wish I was here” and it’s another winner.

The way Justin Vernon blends his soulful voice and traditional folk aesthetics with modern electronic forms of production always lead to new and exiting things. Heavenly Farther is another example which shows a development in his work.

He has always played with his voice in production especially with autotune in the past. In this track he implements a sampler to turn his vocals into a large collection of elements within the track. This and the addition of a heavily compressed kick drum make for some unusual choices. But these are choices that work and have led me back to multiple listens of the song.

I look forward to his next full album but untill then this is a great piece of work to tide me over: