TOTW: Perfume Genius_Jason

The production quality of the last couple of Perfume Genius albums has been exemplary. Producer Blake Mills has a way of capturing the albums experimental dalliances with an air of warmth and lush quality, reminiscent of classic albums.

It gives the tracks a gravitas that is often missing in modern song writers who are pushing boundaries, making the interesting compositional style of Perfume Genius accessible to more people.

The track “Jason” is one of many of the many high points of his past few albums. Although the vocal melody starts with a fairly traditional structure, the way the instrumentation is completely shifting throughout the track is far from it. Sections move between electric piano and bass, harpsichord synthesis and strings, and although the versatility of the instruments in these sections is dense, they are all carefully intertwined and enhance the piece, rather than dragging you out of it.

The track ends on an escalating arpeggio on the strings, as the vocals ascend up the scale. This ends the track on an almost whimsical note. “Jason” isn’t the only great track on his album “Set My Heart on Fire Immediately,” but it is a good place to start:

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TOTW: Ennio Morricone_ The Man With The Harmonica

Last week marked the passing of Ennio Morricone. Although the death of someone is always a sad thing, over his 91 years he managed to pack a lot in. Composing for cinema and television, as well as classical and avant garde composition, he created over 500 scores. Its a mammoth achievement that is only matched by its level of quality, experimentation and, at its highest points, some of the greatest compositions ever made.

Probably best known for his iconic spaghetti western compositions, Morricone continued to push the boundaries of classical composition by adding his interest in avant garde music into them, but for me his greatest achievement was his ability to turn these unconventional approaches into tracks that seemed so natural they resonate with anyone.

From the choice of instrumentation, which blended modern and orchestral, to the track structures that used current and traditional techniques, his scores always managed to both enhance the scenes they accompanied and be incredible pieces of music in their own right.

With so many tracks that are worth mentioning it’s hard to pick one but as I’ve already given my favorite (Gabrielle’s Oboe) a previous track of the week I decided to go for “The Man with the Harmonica“ from “Once Upon a Time in the West.”

Maybe not as well known as his more iconic tracks from the Dollars Trilogy, “The Man with the Harmonica” is a sinister track that slowly escalates with its slow string arpeggios, which have become a staple of many tension building scenes in modern cinema. The piece also exemplifies his ability to blend different instrumentation with electric guitar and harmonica intertwined into the more classical orchestration.

The piece both aids the story in “Once Upon a Time in the West” and works on its own as a piece of thrilling music worthy of your time:

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TOTW: Moses Sumney- Colouour

 I’ve really been enjoying the album “Græ“ over the past week. Lush, dense music underpins Moses Sumney’s amazing vocals on this gargantuan double album, which mixes many genres together with bold ambition.

 It was no surprise to realise that, on further research, Daniel Lopitan (aka. Oneohtrix Point Never), a regular in my TOTW lists, was a co producer on this album.

Looking deeper into the album’s liner notes, you will notice a who’s who of some of the people at very cutting edge of music over the past 5 years.

Its impressive to see this much collaboration from so many strong identities. They have all come together to create something that manages to stay sounding “popular” throughout all of its experimentation, without compromising on any of its artistry.

 Colouour features Keys for both Danial Lopitan and FKG, who also provides saxophone along with Shabaka Hutchings (the saxophone player on my album of the year recommended The Comet is Coming).

It opens with washes of layered saxophones and electric piano. These build to the halfway mark, before fading away to a more sparse arrangement. Moses smooth vocal delivery over an e-piano and deep 808style bass/kick is reminiscent of many a traditional neo-soul track, but it is then peppered with experimental electronic SFX that slightly warp the track into new territory.

Colouour is one of many interesting and enjoyable tracks on an album that is well worth a listen. It could easily be re-appearing in many lists at the end of the year, including mine.

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Made In Japan- Live Performance

It looks like a long time before live music will be up and running in any normal way. So In the meantime I thought I would film and put up where I’m up to with the live performance for Made In Japan.

The visuals were made from a collection of videos I’ve recorded over the years and processed using Cycling 74′ Max.

Watch the video and give me your thoughts below:

TOTW: Aphex Twin_#13 (blue calax)

The Selected Ambient works albums from Aphex Twin are some of my favorite records, with their distinctive lo-fi recordings that give the synths a unique otherworldly feel.

Track 13, also known as “blue calax,” from the album Selected Ambient works Volume 2, is a perfect example. Instrumentally, it is fairly simple, with just one polyphonic synth line and a drum machine. But the use of fx – especially chorus on the synth – create an iconic sound that transports you to another place. A place I love to return to again and again.

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TOTW: The Penguin Cafe Orchestra- The Sound Of Someone You Love Who’s Going Away And It Doesn’t Matter

The Penguin Cafe Orchestra has always fascinated me as a group. Their eccentric take on music, which blends pop melodies with weirder fringe experimentation, has always been a huge influence on me.

Many of the tracks have a childlike sense of wonder to them; an openness to try things that many would be too afraid to try. And yet by doing so, many of the tracks resonate with my emotions on a fundamental level.

“The Sound Of Someone You Love Who’s Going Away And It Doesn’t Matter” is a track that perfectly encapsulates their ability to tap into your emotions. No percussive instrumentation is used throughout (although a hollow body guitar is tapped in a rhythm for a small section). Instead, this instrumental features a few electric guitars, a bass guitar, an electric piano and violins, which interweave to create a piece that’s both wistful and regretful:

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TOTW: Carla del Forno- Hype Sleep

Hype Sleep’s main melody is played high on a bass guitar, and repeats every four bars until this tracks outro. It has an hypnotic effect on the listener, lulling you almost into a feeling of sleep. This is backed up by the other instrumentation, which slowly shifts throughout the background of the track.

Although the track fits very much into a soundscape that I enjoy, the one thing that separates it from the majority of these kind of tracks is just how much of the instrumentation isn’t synthetic. Woodblock, woodwinds and electric bass are the core of the piece, with only a collection of effects and sound design. It gives the piece a folk aesthetic that makes it timeless.

What the track misses in melody and suture, it more than makes up for in mood. A chameleon of a track that suits many environments and sticks with you from first listen:

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Press Release- “Made In Japan” New Album by ConfettiTsunami

MANCHESTER,UK-After travelling through Japan and making extensive field recordings of places and events in Tokyo, Osaka and Kyoto, ConfettiTsunami returned back to Manchester with an idea to turn these into a travelogue.

“Made in Japan” evolved organically from this original idea. Interweaving the field recordings with compositions written whilst in Japan, and developing them back home in Manchester, ConfettiTsunami creates music that drifts between experimental electronica and dance music.

Crafted out of passion and a yearning to relive the familiar, and inspired by electronic luminaries such as Boards Of Canada, Aphex Twin and Oneohtrix Point never, ‘Made In Japan ‘ is a nostalgic trip of a real life experience that is both reflective and sincere; an album that any fans of electronic music won’t want to miss.

Album available from; https://confettitsunami.bandcamp.com/album/made-in-japan  For more Information, promotional requests or to arrange an interview contact Directly via Artist@confettitsunami.co.uk or visit www.confettitsunami.com.

Track Listing

  1. MADE IN JAPAN
  2. TOKUDAWARA
  3. LOCKS
  4. SHRINE
  5. AIRPORT PIANOS
  6. SUBWAY UNDERPASS
  7. YAMANOTE LINE [25/26-00H76M03S]
  8. OSAKA NIGHTS
  9. COLLAPSE
  10. NOSTALGIA
  11. PAST & YOYOGI PARK
  12. KULTARA
  13. TSUKIJI
  14. LEAVING

Album Art

Front Cover
Back
Artist Picture 1080p

ConfettiTsunami – Made In Japan

My first full length album is finally here! Made In Japan has taken several years of hard work and is available on Bandcamp now: https://confettitsunami.bandcamp.com/album/made-in-japan