TOTW:D’Angelo and the Vanguard_Really Love

Really love the highpoint of an outstanding piece of work namely the album Black Messiah D’Angelo. On the whole album His style of R&B/neo soul is taken through some exquisite production and instrumentation to create textures rarely heard in this gene.

Really love starts with a string section and Spanish guitar before a more traditional hiphop beat layered with brass and woodwind sets in. These aren’t overly processed samples but fresh beautiful recordings with organic dynamic range.

It’s this more subtle sound that works throughout. removing the more harsh abrasive production found in the genre keeps black Messiah so fresh. Give the whole thing a listen but start with really love:

TOTW: FKA Twigs_Lights On

FKA Twigs Sound is a minimalist take on R&B with experimental electronic undertones. On her debut album LP1 She manages give her flirtatious lyrics poignancy over lots of deep bass and unique samples to create tracks that are occasionally provocative and always seductive.

Lights on is a perfect example of this dark but seducing style and only gets better with repeat listens.

TOTW: SWANS_ OXYGEN

To be kind by Swans just missed out on my albums of the year list. This isn’t the kind of record you can put on in the background, it demands your attention and at over two hours long it can feel quite daunting to get into it. I also wouldn’t say the average listener of modern music (especially those who listen to albums rather than singles) will get much from the album. But those who like to immerse themselves in the music and are happy to give two hours of attention to an artist’s vision this could be something quite profound.

The Swans sound focuses on repetitive short melodies that will slowly build in layers over several minutes becoming more and more aggressive and oppressive. At first this can feel quite fatiguing but if you give it time it becomes hypnotic, almost meditative. This stems from the fundamental grooves, which are masterfully created. Short and often simple yet no matter how many times they are repeated, they never bore.

Oxygen comes towards the end of the second album and at 8 minutes long its one of the shorter tracks. It’s more direct, stripping away longer builds found on earlier parts of the album and getting straight into it. The standout drumming on this track by Phil Puleo is phenomenal which with the guitar guides the rest of the track to its harsh stabbing conclusion.

 

TOTW: Run the Jewels_ Close your eyes (And Count To Fuck) [feat. Zack De La Rocha]

Anger when directed with thought can be a powerful thing and on close your eyes El-P, Killer Mick and Zack De La Rocha prove this perfectly.

Close your eyes is a call to arms, a militant approach to there philosophy. Anger towards the corruption and lies told by people in positions of power and the methods of control used by capitalism that keep people in thier place . It may be an aggressive and bombastic attack on these issues but it’s an anger that I can relate to:

TOTW: Caribou_ Back Home

The latest album by Caribou is fantastic and I will write about it in great detail later in the year. He’s managed to develop a unique sound that merges ideas from different forms of electronic music into something that feels mainstream with an alternative/experimental edge.

Back Home manages to blend an all out dance track with the kind of grandeur you would expect to hear in a John Barry, James bond title piece.

TOTW: Anna Calvi_Suddenly

I’ve been trying to catch up with allot of music recently and with the mercury music prize awards finishing last week i thought it would be a perfect time to revisit the albums from their shortlist and listen to the ones i hadn’t heard yet.

Anna Calvi’s album One Breath was one I had missed untill now and I’m throughly impressed by the whole thing. The arrangements included within it’s 11 tracks are wonderful. instrumentation is always additive to the experience without ever feeling over produced especially in the string sections which manage to provide some sweet contrast to some of the albums harder elements without feeling tacked on as they do in many alt-rock/indy albums.

Suddenly is the starting track and kicks the whole thing off with a beautiful use of dynamics and attention to detail that is seen throughout: